It’s here! It’s here! It’s here!
It’s been here for like a month, actually, but I didn’t write a review then because… well… I don’t have any great excuses. But! Now that Mark (yes, as in Mark Does Stuff) is reading Untold, I figured I had a golden opportunity to put this out late and not have it be completely irrelevant!
This is a SPOILER-FREE review, y’all.
It’s time to choose sides… On the surface, Sorry-in-the-Vale is a sleepy English town. But Kami Glass knows the truth. Sorry-in-the-Vale is full of magic. In the old days, the Lynburn family ruled with fear, terrifying the people into submission in order to kill for blood and power. Now the Lynburns are back, and Rob Lynburn is gathering sorcerers so that the town can return to the old ways.
But Rob and his followers aren’t the only sorcerers in town. A decision must be made: pay the blood sacrifice, or fight. For Kami, this means more than just choosing between good and evil. With her link to Jared Lynburn severed, she’s now free to love anyone she chooses. But who should that be?
(stolen from goodreads)
I should know by now that every single book Sarah releases is somehow even better than the last, but, as always, I was in no way prepared for Untold.
The new overarching theme (or topic, if my English teacher is reading this) of Untold is made pretty clear within the first couple of pages: loneliness. It’s not an uncommon theme, granted, but the way Sarah examines it and utilizes it is pretty incredible. There’s a huge amount of thought put into what it means to be lonely vs. what it means to be alone, and the way each character goes through both of these experiences in a different way is a classic example of the emotional depth of this novel. Most of the ideas focused on in Unspoken are present in Untold as well, but Sarah never runs out of new things to say about them. She shows us layers and layers behind each basic concept.
Plot-wise, the high stakes that manage to keep being raised are, frankly, unbelievable, and a huge asset to the story. There is no sitting around, waiting for the action to begin. There are no contrived plot twists to somehow bring the characters back to where they were in the first novel, to give them a rest, or to allow for a less frenzied beginning. Untold takes place two weeks after the end of Unspoken. The progression of the story, though it does have a clear beginning and a clear ending, does not feel governed by any sort of plot formula.
The characters, of course, are the most engaging part of Untold. What I’ve always loved about Sarah’s novels is the incredible consistency of her characterization. No character ever learns the same lesson twice, or appears to have forgotten the repercussions of their previous actions; everything that happens to these characters changes them and their course for the novel. It’s character-driven fiction at its finest. The emotional stakes of Untold are high, as well, and remain engaging, because Sarah puts such an emphasis on validating her characters’ emotions. There is no ceiling or floor placed on Kami’s trauma, Ash’s self-hatred, Jared’s anger, Holly’s insecurity, or Angela’s general distaste for humankind, and the lack of emotion policing allows Sarah’s characters to truly touch us and impact us, because human reactions are not governed by rules or limitations, they just are.
I’m not entirely sure how coherent this review is, as I often have a hard time being coherent where Sarah’s novels are concerned. But I recommend. I recommend, I recommend, I recommend.